Preserved in Galvao-Kristófcsák Foundation of Lagos, in Algarve, Portugal, it is a unique, anonymous collection of works for five course Baroque guitar.

An article on Vermeer’s “The guitar player” (which shows a Baroque guitar).

An article exploring the differences between the baroque and modern classical instrument, their respective repertoires, and adapting the older music for the modern instrument.

Tablatures for the five-stringed baroque guitar (in PDF format), with information on performance, ornamentation, and composers of the era.

Scores and MIDIs of arrangements by Dana Hawkes. In .pdf form.

A collection of pieces by Francois Campion for Baroque guitar, in modern tablature; also notes on Campion's tunings.

Describes and traces the development of early members of the guitar family.

Three translations of contemporary guidance for Baroque guitar players, covering tuning, tablature, and stringing.

An annotated bibliography of tablature written for the lute, vihuela, early guitar, cittern, bandora, mandora, and orpharion; arranged chronologically and by composer.

Dr Gary Boyes' research into playing styles and repertoire for the Baroque guitar, with an explanation of tablature used in the period.

The guitar and its predecessors; a short history with practical tips about finding/playing old instruments.

Excerpts from "The Early Guitar: A History and Handbook" (James Tyler, OUP, 1980), describing the development of the vihuela, Renaissance and Baroque, and English guitars, with comments on tunings and playing techniques.

A webring for sites related to lutes and early guitars.